There are few books on arranging and orchestration, fewer yet that are recent, and none that explain the process easily in a fun-to-read fashion. This book demonstrates how to take a simple composition and arrange it for different types of instrumental and vocal ensembles. The same song is used as an example throughout the entire book, and a variety of different types of arranging are covered.
Opinionated and example-filled, this extremely concise and accessible book provides a survey of some fundamental and longstanding debates about the nature of music. The central arguments and ideas of historical and contemporary philosophers are presented with the goal of making them as accessible as possible to general readers who have no background in philosophy. The emphasis is on instrumental music, but examples are drawn from many cultures as well as from Western classical, jazz, folk, and popular music.
The study of Russian is of great importance to syntactic theory, due in particular to its unusual case system and its complex word order patterns. This book provides an essential guide to Russian syntax and examines the major syntactic structures of the language. It begins with an overview of verbal and nominal constituents, followed by major clause types, including null-copular and impersonal sentences, WH-questions and their distribution, and relative and subordinate clauses. The syntax behind the rich Russian morphological case system is then described in detail, with focus on both the fairly standard instances of Nominative, Accusative and Dative case as well as the important language-specific uses of the Genitive and Instrumental cases. The book goes on to analyze the syntax of ‘free’ word order for which Russian is famous. It will be of interest to researchers and students of syntactic theory, of Slavic linguistics and of language typology.
