Superheroes of the Round Table

Superheroes of the Round Table

Few scholars nursed on the literary canon would dispute that knowledge of Western literature benefits readers and writers of the superhero genre. This analysis of superhero comics as Romance literature shows that the reverse is true–knowledge of the superhero romance has something to teach critics of traditional literature. Establishing the comic genre as a cousin to Arthurian myth, Spenser, and Shakespeare, it uses comics to inform readings of The Faerie Queene, The Tempest, Malory’s Morte and more, while employing authors like Ben Johnson to help explain comics by Alan Moore, Jack Kirby, and Grant Morrison and characters like Iron Man, the Hulk, the X-Men, and the Justice League. Scholars of comics, medieval and Renaissance literature alike will find it appealing.

Superheroes of the Round Table

A Frozen Hell

A Frozen Hell

This is a book of battles — savagely fought, often with great heroism on both sides, under brutal, subarctic conditions. Guerrillas on skis, heroic single-handed attacks on tanks, unfathomable endurance, and the charismatic leadership of one of this century’s true military geniuses — these were the elements of Finland’s short-lived victory. For all the epic resistance of the Finns, the outcome was foreordained. Belatedly the Russians realized that an expected easy triumph over a vastly outnumbered foe had become a slaughterhouse. Incompetent commanders were replaced, more and better troops were moved into position, and orders were given to overwhelm and crush the Finns by the sheer weight of massed numbers. But even though they lost on the battlefield, the Finns’ pointed resistance kept the Iron Curtain from drawing closed around their land and allowed Finland to remain free, even as other countries fell one by one.

A Frozen Hell