Ever since the term ‘crowdsourcing’ was coined in 2006 by ‘Wired’ writer Jeff Howe, group activities ranging from the creation of the Oxford English Dictionary to the choosing of new colors for M&Ms have been labeled with this most buzz-generating of media buzzwords. In this accessible but authoritative account, grounded in the empirical literature, Daren Brabham explains what crowdsourcing is, what it is not, and how it works. Crowdsourcing, Brabham tells us, is an online, distributed problem solving and production model that leverages the collective intelligence of online communities for specific purposes set forth by a crowdsourcing organization — corporate, government, or volunteer. Uniquely, it combines a bottom-up, open, creative process with top-down organizational goals. Crowdsourcing is not open source production, which lacks the top-down component; it is not a market research survey that offers participants a short list of choices; and it is qualitatively different from predigital open innovation and collaborative production processes, which lacked the speed, reach, rich capability, and lowered barriers to entry enabled by the Internet. Brabham describes the intellectual roots of the idea of crowdsourcing in such concepts as collective intelligence, the wisdom of crowds, and distributed computing. He surveys the major issues in crowdsourcing, including crowd motivation, the misconception of the amateur participant, crowdfunding, and the danger of ‘crowdsploitation’ of volunteer labor, citing real-world examples from Threadless, InnoCentive, and other organizations. And he considers the future of crowdsourcing in both theory and practice, describing its possible roles in journalism, governance, national security, and science and health.
Chủ Nhật, 15 tháng 3, 2015
Crowdsourcing
Chủ Nhật, 1 tháng 3, 2015
On Vision and Colors
During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci’s Trattato della Pittura were written and published in Germany: Arthur Schopenhauer’s On Vision and Colors and Philipp Otto Runge’s Color Sphere. For Schopenhauer, vision iswholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge’s Color Sphere and essay ‘The Duality of Color’ contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a ‘mathematical figure of various philosophical reflections.’
Thứ Ba, 30 tháng 12, 2014
Fantasies and Flowers
Following on the tremendous success of quilting bestseller Fabled Flowers, Kumiko Sudo’s new book features 30 completely new fabric origami designs. Returning to the ever-popular floral motif, these stunning quilt designs showcase Kumiko’s incredible range, in the vibrant, glowing colors that are characteristic of her work. Each block combines simple piecing and appliqu techniques, showing even beginning quilters how to make perfect three-dimensional flowers. All are complete with step-by-step drawings, easy-to-follow directions, and full-size templates. There are also assembly instructions for six beautiful floral quilts. The introduction explains the inspiration behind Kumiko’s designs. A special section on ikebana, the Japanese art of flower arranging, demonstrates the similarities between Kumiko’s contemporary quilts and that traditional art form. – Kumiko’s first book on fabric origami, Fabled Flowers, is one of the top-selling books in the quilting industry – Kumiko’s flowers can embellish not just quilts, but all kinds of sewing projects–fashions, home decorations, children’s wear, and so on – More than 100 stunning color photographs of quilts, fabric, and fine handwork Kumiko Sudo is an internationally acclaimed fiber artist. Kumiko’s work is today known and respected in the United States, and her quilts are in several fine public and private collections, including the Museum of American Folk Art in New York.