The Signature of the World focuses on one of the most influential works of contemporary philosophy: What is Philosophy? by Gilles Deleuze and Felix Guattari, their last joint work after Anti-Oedipus and A Thousand Plateaus. It sets What is Philosophy? in the context of earlier work by the two thinkers and, in a manner sure to challenge and provoke, juxtaposes it to the work of both analytic philosophers and continental phenomenologists.
By the end of the Middle Ages, the ius communethe combination of canon and Roman lawhad formed the basis for all law in continental Europe, along with its patriarchal system of categorizing women. Throughout medieval Europe, women regularly found themselves in court, suing or being sued, defending themselves against criminal accusations, or prosecuting others for crimes committed against them or their families. Yet choosing to litigate entailed accepting the conceptual vocabulary of the learned law, thereby reinforcing the very legal and social notions that often subordinated them.
European cinema has always excelled when it comes to ‘bad’ movies. When continental moviemakers combined horror with sex, they unleashed a tidal wave of celluloid strangeness that lasted nearly thirty years. From sexy thrillers to pulp surrealism, from decadent erotica to blood-soaked vampire epics, nothing could go too far. Immoral Tales tells the fascinating story of this unique period, peeking into the kaleidoscope of visceral horror, maverick directors, and erotic invention.
The intellectual scope and cultural impact of British writers cannot be assessed without reference to their European ‘fortunes’. These essays, prepared by an international team of scholars, critics and translators, record the ways in which David Hume has been translated, evaluated and emulated in different national and linguistic areas of Europe. This is the first collection of essays to consider how and where Hume’s works were initially understood throughout Europe. They reflect on how early European responses to Hume relied on available French translations, and concentrated on his Political Discourses and his History, and how later German translations enabled professional philosophers to discuss his more abstract ideas. Also explored is the idea that continental readers were not able to judge the accuracy of the translations they read, nor did many consider the contexts in which Hume was writing: rather, they were intent on using what they read for their own purposes.
The Tudor era (1485-1603) was one of the most culturally significant periods in history. Under three generations of Tudor rulers, the era witnessed the advent of humanism, the birth of the Reformation, and the rise of the British Empire. The literature of the period is marked by complexity of thought and form and reflects the political, religious, and cultural changes of the era. Within slightly more than a century, literature in English evolved from late medieval, mostly in Scotland, to high renaissance, mostly in England. Classical myth merged with Christian teaching, continental thinkers influenced English culture, and developments in science fostered the growth of early modern civilization. This reference book is a guide to the rich and diverse literature of Tudor England. Included are entries for nearly 100 people who wrote between 1485 and 1603. The entries are written by expert contributors and are arranged alphabetically to facilitate use. Some of the authors profiled are major canonical figures, such as Shakespeare, Spenser, and Donne. But the volume also includes a significant number of entries for women writers, whose work has been unjustly disregarded until recent years. While most of the authors were from England, the volume contains entries on figures such as Erasmus, who, though born in another country, wrote important works in England, and on writers such as Machiavelli, Calvin, Ariosto, and Tasso, whose works were almost immediately adopted, translated, or otherwise made part of Tudor culture. Each entry provides a brief biography, which is followed by a discussion of major works and themes, a review of the author’s critical reception, and a bibliography of primary and secondary sources.
Continuum’s Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Martin Heidegger is one of the twentieth century’s most influential, controversial and challenging philosophers. His Being and Time is a landmark text in modern philosophy, required reading for anyone studying Continental thought. However, the concepts encountered in Heidegger are intricate and frequently confusing, while the language through which they are articulated is deliberately dense and obscure. Heidegger: A Guide for the Perplexed is a thorough, cogent and reliable account of Heidegger’s philosophy, ideal for the student who needs to reach a sound understanding of this complex and important thinker. The book covers Heidegger’s oeuvre in its entirety, offering not only exposition of Being and Time, but also his later work. His perspectives on, and contributions to, both ontology and phenomenology are explored in full, as is the concept of Dasein, Heidegger’s term for the human way of existence. Geared toward the specific requirements of students who need to reach a sound understanding of Heidegger’s philosophy, this is the ideal companion to the study of this most influential and challenging of twentieth century philosophers.
This book is a continuation of Giorgio Agamben’s investigation of political theory, which began with the highly influential volume Homo Sacer: Sovereign Power and Bare Life. Having already traced the roots of the idea of sovereignty, sacredness, and economy, he now turns to a perhaps unlikely topic: the concept of the oath. Following the Italian scholar Paolo Prodi, Agamben sees the oath as foundational for Western politics and undertakes an exploration of the roots of the phenomenon of the oath in human experience. He rejects the common idea that the oath finds its origin in religion, arguing instead that the oath points toward a particular response to the experience of language, a response that gave birth to both religion and law as we now know them. This book is important not only for readers of Agamben or of continental philosophy more broadly, but for anyone interested in questions relating to the relationships among religion, law, and language.
